"One day a major filmmaker will write a great role for Bruckner, and hers will be a household name. Until then, there are small films like Dreamland which, though far from perfect, is better than most thanks to Bruckner’s amazing intimacy with the camera and that peculiar face of hers; both plain and extraordinarily unique in its beauty. She makes you think she is always thinking, and that’s a great talent for an actor."
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